Alan Ramskill
I really love listening to this great piece of Art! The musicians are all amazing Mary Halvorson and Susan Alcorn’s guitars blend beautifully, while Nate Wooley is the main focus because the music and the concept are what I’m most thrilled with! Great stuff!
The Columbia Icefield is an imposing behemoth, the largest icefield in the Rocky Mountains, a glacial structure that feeds into the Columbia River, and, eventually, into the Pacific Ocean. It’s alien, unapproachable, and yet, somehow, a striking metaphor for man’s relationship to nature.
On Nate Wooley’s forthcoming, soaring, Columbia Icefield, the Pacific Northwest bred trumpeter tries to reckon with his relation to the Icefield and, more generally, humanity in the face of the unapproachable. But this alien entity is laced with contradiction and imposes itself onto Wooley’s music in a magnificent way. “This record really came down to trying to build structures that have a feeling of being really large and slightly disturbing, but also, natural,” Wooley explains, before adding, “it’s earthbound, it comes from a natural place; it’s not an attack on our senses. We understand it.” And this became the chief task for Wooley and his superlative band—Mary Halvorson on guitar, Susan Alcorn on pedal steel, and Ryan Sawyer on drums—namely, how to express what is most natural and most foreign to us simultaneously?
The result is a stirring and staggering practice in being alive and the way our lives are reflected and shaped by our surroundings. For Wooley, that’s a small seafaring town shadowed by the Icefields, a logical restart after his deliriously genius reimagining of Wynton Marsalis’ early work on (Dance to) The Early Music. Wooley’s creative drive comes from a place of constant reinvention, and the success of Early Music allowed for him to stray far from that with Icefield. If that record was about being somebody else, Columbia Icefield is about Nate Wooley and his collaborators, making the truest form of self-music imaginable.
“There’s always been this drive for me in all the work I’ve done to figure out the way to best express my own humanity,” he says. On Columbia Icefield, Wooley stares down a piece of nature almost impossible to see one’s self in; that he was able to carve a piece of his world into this glacier is a shock, until you hear the opening notes of “Lionel Trilling.” With Columbia Icefield, Nate Wooley makes it possible to see the humanity in everything.
Nate Wooley grew up in Clatskanie, Oregon. He began his professional music career at age 13 performing in big bands with his
father, and studied jazz and classical trumpet at the University of Oregon and University of Denver. He settled in New York in 2001, and maintains an active schedule in jazz and experimental music in the U.S. and abroad....more
supported by 60 fans who also own “Columbia Icefield”
Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend. rat
supported by 55 fans who also own “Columbia Icefield”
Total mastery of patience, time, and drama create a constantly engaging journey that never gets tiresome or same-y: in fact the harder you listen the better it gets! Somehow Sorey et al. find a way to combine the deep listening and spontaneous interaction of the best jazz with the sense of every tone and sound being worth a universe of listening, which could be equally from Cage and Feldman or the accompaniment to an ancient ritual.
The recording/engineering is absolutely perfect as well. Giles
supported by 50 fans who also own “Columbia Icefield”
I really appreciate that with such a large group of musicians the overall sound and experience of listening is really spacious, never cluttered. The lovely recording helps that a lot, and of course the compositional aspects that make it breathe are superb- it gets more and more fun as I listen again and again. Jasper Skydecker