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Mutual Aid Music

by Nate Wooley

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $12 USD  or more

     

  • Compact Disc (CD) + Digital Album

    This double-CD release comes in a six panel gatefold CD package beautifully designed by Lasse Marhaug and featuring an exclusive essay on the social and artistic philosophy behind Mutual Aid Music by the composer (including notated examples)

    Includes unlimited streaming of Mutual Aid Music via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 500 

      $17 USD or more 

     

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about

Mutual Aid Has A History

It points to the concept of community action and the human drive to provide succor to our fellow humans. Mutual aid is the primary ethic of an anarchistic utopia in which each knows what they have, is honest about what they need, and is prepared to give and receive accordingly. Every human want is met by a commensurate surplus and all are lifted equally above suffering.

The music on this disc is, to a degree, about this political conception of mutual aid history but, rather than celebrating its primary act of what to give, it concentrates on the decision of how to give it. It asks the musicians to take stock of their gifts and to ask themselves, in each moment, how their use of that gift will affect the community (ensemble) of which they are currently a member. Will their addition provide:

1. A refined musical gesture that simply makes the group sound better
2. A raw idea that opens new sets of possibilities for the other musicians, or
3. The inspiration to others of making the difficult, selfless musical choice.

This set of eight ensemble concertos sprouts from a compositional system that asks musicians to question what they add to the ensemble as human beings first and musicians second. Rather than the traditional aim of faithfully reproducing a score through its mastery, the members of the ensemble are prompted to make decisions that purposely force the music away from facsimile and toward a spontaneity that may feel awkward and uncomfortable. Each supports each in the search for something new and interesting; a music that is not only greater than the compositional whole, but has the potential to recast the way we think about the balance of virtuosity and improvisational spirit in our practice. After all, if we, as an ensemble can enjoy jumping off musical cliffs together within the relative safety of this compositional system, then what’s to stop us from trying to find that same exhilaration in the other music we make?

credits

released April 16, 2021

Nate Wooley - Trumpet
Ingrid Laubrock - Sax
Joshua Modney - Violin
Mariel Roberts - Cello
Sylvie Courvoisier - Piano
Cory Smythe - Piano
Matt Moran - Vibraphone
Russell Greenberg - Vibraphone and Percussion

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Nate Wooley Brooklyn, New York

Nate Wooley grew up in Clatskanie, Oregon. He began his professional music career at age 13 performing in big bands with his father, and studied jazz and classical trumpet at the University of Oregon and University of Denver. He settled in New York in 2001, and maintains an active schedule in jazz and experimental music in the U.S. and abroad. ... more

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